Twentieth Century Punjabi Poetry

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This course offers a fresh reading of the major literary, intellectual, and socio-political developments that shaped Punjabi poetic expression throughout the twentieth century. Situating poetry within the broader contexts of colonial modernity, print culture, reform movements, the Indian nationalist movement, the Partition, and postcolonial transformations, the course foregrounds the dynamic interplay between history and literary form. By integrating historical inquiry with literary criticism, the course positions Punjabi poetry as a critical site for examining modernity, identity formation, and the aesthetics of experience in South Asia. It'll be a 13-week course. The medium of insrtruction will be English.

 

Course Syllabus

Historical & Literary Background 
Week 1 – Punjab after Colonization:  
• Socio-political background • Colonial modernity and print culture • Reform and literary movements (Singh Sabha, Arya Samaj, Anjuman-i-Punjab) • Language Controversy in Punjab 

Week 2 – Tradition and Transition: Nath-Sidh literature • Sikh literature • Sufi Poetry • Qissa tradition   • War Ballads • Devotional Poetry • Emergence of modern poetic forms       

Modernity, Romanticism, and Punjabi Poetry 

Week 3 – Bhai Vir Singh • Religion and Mysticism • Nature and Lived Religiosity • Selected poem analysis 

Week 4 – Puran Singh: Modernity and Transcendentalism • Religion and the Poetics of Space

History and Nationalism

Week 5 – Dhani Ram Chatrik and Kirpa Sagar: Religion and Nationalism •            Romanticism and Historical Consciousness

              Poetry of Resistance: Anti-colonial struggle • Ghadar Movement • Akali Movement

Progressive Poetry and Feminine Voices

Week 6 – Trends in Punjabi Progressive Poetry: Mohan Singh • Bawa Balwant • Pritam Singh Safir • Faiz Ahmed Faiz • Lal Singh Dil • Pash

 

Week 7 – Amrita Pritam and Prabhjot Kaur: Communalism • Progressivism • Feminism • Love and Separation •  Femininity and Mysticism

 

Review and Midterm Examination

The Partition

Week 8 – Historical Context of Partition: Communalism in Punjab • Nihilism and Nationalism 

Week 9 – Poems on the Partition: Ferozedeen Sharaf • Ahmed Rahi • Gurmukh Singh Musafir • Barkat Ram Yuman • Charaghdeen Daaman • Amrita Pritam  • Harbhajan Singh  • Jaswant Singh Neki  • Munir Niazi • Harinder Singh Mahboob

Lyric Poetry
Week 10 – First Phase:
Haribhajan Singh • Jaswant Singh Neki • Shiv Kumar

Second Phase: Kulwant Singh Grewal •      Navtej Bharti • Amarjit Chandan

New Openings 

Week 11 – Existentialist and Experimentalist Poetry: Amrita Pritam • Haribhajan Singh • Sukhpalveer Singh Hasrat • Ajaib Kamal • Ravinder Ravi 

 Punjabi Ghazal: Sadhu Singh Hamdard • Jagtar • Surjit Patar • Rauf Sheikh • Sharif Kunjahi

Violence and Trauma

Week 12 – Violence and Trauma (1980s): Afzal Ahsan Randhawa • Haribhajan Singh 

Week 13 – Memory and Displacement:  Harinder Singh Mahboob

Review and Final Examination

Week 14 – Review

Week 15 – Final Examination

 

 

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Lecturer: Prabhsharandeep Singh

Prabhsharandeep Singh is a Sikh scholar whose research involves areas such Sikh Studies, Study of Religions, Religious Experience, Religion and Literature, Religion and Violence, Postcolonial Theory, Intellectual History, and Continental Philosophy. He has Masters in English (Punjabi University), Masters in Study of Religions (SOAS, University of London), DPhil cand. (University of Oxford). He writes poetry in Punjabi and English. He has recently published a collection of Punjabi poetry titled Des Nikala that has poems on the themes such as exile, memory, trauma, time, and language.